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drone 1:080:00/1:08
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bed-eye veshel 2:030:00/2:03
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central voice 1:180:00/1:18
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on the road turtle 6:030:00/6:03
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swimmingly 3:230:00/3:23
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city of swing 4:050:00/4:05
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a.kline medley 11:400:00/11:40
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road signs 8:450:00/8:45
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tom moore 3:540:00/3:54
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turtle muscle 4:050:00/4:05
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remember 4:320:00/4:32
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ground 3:540:00/3:54
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weekend 3:190:00/3:19
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MF7 3:140:00/3:14
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W4i 4:190:00/4:19
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way down 3:250:00/3:25
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shallow hole 8:140:00/8:14
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round 'em up 3:590:00/3:59
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no way out 3:370:00/3:37
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beastie boys 3:400:00/3:40
‘to be continued’ - scene 1 - episode 1 - season 1
mostly a true story
COLD OPEN
EXT. DOWNTOWN SAN FRANCISCO / STREET CORNER - DAY
HERZOG (15), the wirehaired dachshund, and PNOSA (30’s),
playing ukulele, stroll market street
amid the bustle of daily traffic.
herzog’s legs stiffen.
dry heaving coughs precipitate white vomit.
pnosa rushes to him and wipes his whiskers.
PNOSA
oh no… herzog!
herzog shakes off the funk and keeps moving.
at an intersection, they wait for the pedestrian signal.
a girl (20’s) reaches for herzog -
his tail wags as fast as pnosa’s heart.
GIRL
your dog’s so cute. he doesn’t need a leash?
PNOSA
you should really ask before you —
nearby well-dressed WILSON GOLDSACHS (50’s) charges
forward, waves a cigarette, and shouts into a phone.
WILSON GOLDSACHS
NO. what you sent is the WORST FUCKING ARTWORK
I’VE EVER SEEN.
in an instant, wilson goldsachs glances at the phone
and heedlessly steps into the street —
certain death by an oncoming autonomous vehicle.
PNOSA
MISTER!
the vehicle flashes its headlights,
revs the motor, and accelerates.
AUTONOMOUS VEHICLE
human impact imminent.
pnosa pulls wilson goldsachs to the sidewalk.
WILSON GOLDSACHS
WHAAAA! UGH!
wilson goldsachs drops the phone and cigarette.
PNOSA
that bot wanted you dead!
WILSON GOLDSACHS
FUCKING WOKE TOASTER!
wilson goldsachs picks up the phone and rubs his forehead.
WILSON GOLDSACHS
i love the patch-pants.
PNOSA
ummm, you’re welcome?
pnosa turns around: the girl is gone.
WILSON GOLDSACHS
do you make them yourself?
PNOSA
i did, i do, i’m an artist.
WILSON GOLDSACHS
i need an artist.
PNOSA
actually i’m a sewing artist - actually.
i draw with a sewing machine.
WILSON GOLDSACHS
i’ve never heard of anyone doing this.
PNOSA
there’s not a lot of us.
i’ll be sewing in the mission this weekend -
hopefully.
WILSON GOLDSACHS
hope is for the weak.
(begins texting)
PNOSA
well, i’m traveling. and if there’s one thing
i’ve learned about HOPING to find parking,
you have to be willing to wait.
SFX: sent text notification
WILSON GOLDSACHS
do you have a card?
pnosa scours his pockets,
and produces a card technically still legible.
PNOSA
i’m pnosa - i make collaborative patches
with a solar powered —
WILSON GOLDSACHS
save the elevator pitch.
wilson goldsachs opens a gold case,
and gives pnosa a metal business card.
WILSON GOLDSACHS
wilson goldsachs - with winsten cigarettes.
the card’s surface catches the sun in pnosa’s eyes.
PNOSA
wilson with winsten. OH, you’re the CEO.
EXT. DOWNTOWN SAN FRANCISCO / SIDEWALK - DAY
WILSON GOLDSACHS
walk with me.
PNOSA
uh, where?
wilson goldsachs points up, crosses the street,
expecting pnosa to follow.
pnosa purses his lips, checks on herzog,
and trails wilson goldsachs.
PNOSA
i would think you’d have a limo.
WILSON GOLDSACHS
driving in the city is unacceptable.
wilson goldsachs lights a cigarette.
pnosa dodges the smoke.
PNOSA
yeah, the fumes are just as bad.
WILSON GOLDSACHS
i want you to sew something for me.
PNOSA
should i use reflective thread?
INT. SALESFORCE TOWER / FRONT DESK SECURITY - DAY
wilson goldsachs, pnosa, and herzog enter the high-rise.
WILSON GOLDSACHS
mmmmm… make it black and white - no color.
whatever comes to mind when i say, “wince free”.
PNOSA
like, living without consequence?
WILSON GOLDSACHS
you tell me, you’re the artist.
the front desk security guard nods as they pass.
PNOSA
i know exactly what i’d sew.
wilson goldsachs waves his phone over a sensor.
SFX: chime
the elevator opens instantly.
INT. SALESFORCE TOWER / ELEVATOR - DAY
herzog’s body wobbles as they ascend.
WILSON GOLDSACHS
i’ll pay you a thousand dollars, now.
PNOSA
whoa! how big do you want this to be?
WILSON GOLDSACHS
i’m more interested in the design.
think marketing. bold. iconic.
about the size of a pack of cigarettes.
PNOSA
when do you need it?
WILSON GOLDSACHS
you have my number. message me when you’re done,
and where you’ll be this saturday.
PNOSA
sure, but like i said… with parking —
it depends if the city’s feeling generous.
WILSON GOLDSACHS
i’ll give you five thousand more reasons
if you can make it happen.
EXT. SALESFORCE TOWER / HELIPAD - DAY
wilson goldsachs raises his voice
above a thumping helicopter.
in the background is a billboard advertisement
for possibly meat.
the ad shows a woman eating a sandwich and reads:
if it’s not meat, it’s possibly meat
WILSON GOLDSACHS
don’t disappoint me.
he opens a wallet,
and gives pnosa ten crisp one hundred dollar bills.
a helicopter butler holds the cabin door
for wilson goldsachs, and signals the pilot he is ready.
pnosa stares at the chopper - jaw dropped.
gusts of wind fluster his cheeks,
swirling his and herzog’s hair.
in the goggling, his grip loosens,
and hundred dollar bills blow into the air.
pnosa scrambles, snatching for bills.
he catches a handful, but the rest slip away.